Dr. Sketchy’s Anti-Art School has returned once more to Birmingham when, back in May (oops, another slightly late post) the Carnival of Animals arrived at the Victoria. Opened by new comperé Liberty Pink with the song Les Poissons (from Disney’s The Little Mermaid), proceedings continued apace with Dr Sketchy’s Birmingham regular Cherryfox performing Puttin’ on the Ritz as Alice in Wonderland‘s March Hare. Read the rest of this entry…
Willkommen, beinvenue, welcome to Dr Sketchy’s Berlin
9th May 2010 | by Alex
“Life is a cabaret ol’ chum so come to the Cabaret”. So sang Liza Minelli in the movie Caberet, but she could easily be referring to the recent Dr Sketchy’s Anti-Art School in Birmingham (previously) back in March. Titled Berlin, this time around the burlesque life-drawing class took it’s lead from the Weimar Republic-set musical and movie – a movie incidentally that I’ve never seen, although I have read Christopher Isherwood’s semi-autobiographical novel, Goodbye to Berlin upon on which it is based. Read the rest of this entry…
Another late one, but back at the end of October I went along to the press launch of the Bodies Revealed exhibition at the Custard Factory in Birmingham. This show, taking it’s lead from (but not connected with) the Body Worlds exhibitions of Dr Gunther von Hagens, features chemically preserved corpses which have been partially dissected to reveal muscle, organs, bone and tissue for educational study. Read the rest of this entry…
It’s time to don party hats, as Dr Sketchy’s Birmingham is celebrating it’s 1st birthday! As regular readers of this blog will know by now, Dr Sketchy’s Anti-Art School is a movement that combines burlesque cabaret and life-drawing that started in New York by comic artist Molly Crabapple in 2005. Read the rest of this entry…

A long time ago, in a galaxy far far away, or last Saturday to be precise, the anti-art burlesque life-drawing class known as Dr Sketchy’s beamed back down to Birmingham. And boldly going where no life-drawing class has gone before, the theme this time was X-Files. Hosted, as ever, by the Decadent Gent, this time regenerated into the form of the Fourth Doctor, we were treated to a selection of broadly Sci-Fi related routines, starting with Candee Handful‘s Rouge Red the Murderous Mare, featuring Crazy Horses by the Osmonds, a persuing policeman and, er, a horse’s head. Read the rest of this entry…
Phew! It’s been a busy time for me recently. Over the course of the last month or so I’ve been out and about doing ‘live drawing’ at various events in the Birmingham area, so this post is an attempt to do a brief, illustrated summary of what I’ve been up to. Read the rest of this entry…








